AKG C414 XLII
AKG C414 XLII
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The AKG C414 is a large-diaphragm condenser microphone that has been a studio standard since the 1970s. The current generation comprises two variants — the XLS and the XLII — which share the same technical architecture but differ in their capsule voicing. Both offer nine selectable polar patterns, four pad settings, four high-pass filter options, and a self-noise figure of 6 dB(A), making them among the most versatile and technically capable microphones at their price point.
Who Is This For?
The C414 XLII suits vocalists, singers, and producers who want a large-diaphragm condenser with presence and air. Its capsule is modelled on the legendary AKG C12 from 1953, adding a pronounced presence boost above 3–5kHz that gives vocals a forward, detailed character that sits easily in a mix. It is the brighter, more characterful of the two C414 variants and the preferred choice where vocal detail and openness are priorities.
Sound Character
The XLII's defining feature is its presence peak — a lift in the upper midrange and lower treble that adds clarity, air, and definition. This makes vocals sound detailed and immediate, and works well on acoustic instruments where clarity and sparkle are desirable. It is less neutral than the XLS and better suited to situations where the microphone's character is a benefit rather than a constraint. Its gold grille distinguishes it visually from the XLS.
Nine Polar Patterns
Both C414 variants offer nine polar patterns: omnidirectional, wide cardioid, cardioid, hypercardioid, and figure-8, plus four intermediate positions between each. This flexibility makes them suitable for solo vocals, room miking, stereo pairs, and instrument recording without requiring multiple microphones.
Pads and Filters
Four attenuation pads (0, -6, -12, -18 dB) allow use on extremely loud sources including kick drums, brass, and loud guitar amplifiers up to 158 dB SPL. Four switchable high-pass filter settings (flat, 40Hz, 80Hz, 160Hz) handle proximity effect and low-frequency room rumble.
Build and Accessories
Both come with a metal flight case, plastic shock-mount, pop filter, and foam windsock. They are visually distinguished by their grille colour — silver on the XLS, gold on the XLII.
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Frequently Asked Questions
Specifications
| Type | Large-diaphragm condenser |
| Polar Patterns | 9 selectable (omni, wide cardioid, cardioid, hypercardioid, figure-8, plus 4 intermediate) |
| Frequency Response | 20Hz – 20kHz (pronounced presence peak above 3–5kHz) |
| Sensitivity | -33 dBV/Pa (22 mV/Pa) |
| Self-Noise | 6 dB(A) |
| Max SPL | 140 dB (158 dB with -18 dB pad) |
| Dynamic Range | 134 dB |
| Pads | 0 / -6 / -12 / -18 dB |
| High-Pass Filter | Flat / 40Hz / 80Hz / 160Hz |
| Impedance | 200Ω |
| Phantom Power | 48V |
| Connector | 3-pin XLR |
| Weight | 300g |
| Grille | Gold (distinguishes from XLS) |
| Capsule | Inspired by AKG C12 (1953) |
| Includes | Metal flight case, shock-mount, pop filter, foam windsock |
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