ARP 2600
ARP 2600 Used Price Guide
Avg. used price: ~£6,642(based on recent Reverb sales)·What are these selling for? →
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ARP 2600 used prices at a glance
The ARP 2600 typically sells for between £6,606 and £6,690 on the used market, with an average price of £6,642 based on recent Reverb sold listings. The ARP 2600 is a premium piece of gear with strong resale value and is frequently traded on the used market.
- Average used prices
- Latest sold listings
- Price trends over time
- Factors that affect resale value
If you're buying or selling a ARP 2600, this gives you a realistic view of what it actually sells for today.
Low
£6,606
Average
£6,642
High
£6,690
- Average Used Price
- £6,642
- Typical Range
- £6,606 – £6,690
- Last Sold Price
- £6,642
- Trend
- stable
- Most Recent Sale
- 6 mo ago
What does a used ARP 2600 typically sell for?
Used ARP 2600 units have traded around £6,642 (£6,606-£6,690) based on recent Reverb sold listings. Trading on this model is thinner, so day-to-day variation in the recorded average tends to reflect Reverb's rolling sample more than active market movement. The chart shows where the price has settled rather than where it's heading right now.
Units in better condition or with original packaging tend to sell at the higher end of the range, while heavily used examples sell for less.
The ARP 2600 retains its value among synth enthusiasts and producers, with collectors and long-term owners driving most trades.
The ARP 2600 is one of the most legendary semi-modular analog synthesizers ever made. Originally produced by ARP Instruments from 1971 to 1981, it became a cornerstone of electronic music, sound design, and film scoring. Unlike fully modular systems, the ARP 2600 comes pre-wired with a default signal path, so you can start making sounds immediately while still having the freedom to repatch using its built-in patch panel.
Sound Architecture
The ARP 2600 features three voltage-controlled oscillators, each with different waveform options. VCO 1 offers sawtooth and square waves, VCO 2 adds triangle, pulse, and sine to the mix, and VCO 3 provides sawtooth, square, and pulse. This variety gives you a broad tonal palette before you even touch the filter. The 24dB/octave low-pass filter is a key part of the 2600's character — early models used ARP's clone of the Moog transistor ladder filter (the 4012), while later models switched to the ARP-designed 4072 filter after a patent dispute.
Beyond the oscillators and filter, the 2600 packs in a ring modulator, sample-and-hold, noise generator (white and pink), spring reverb, envelope follower, and two envelope generators. There is also an onboard microphone preamp and external audio input, making it a powerful tool for processing external sounds through its filter and effects chain.
Patching and Workflow
The semi-modular design means every module is internally connected via a normalized signal path, but the patch panel with sliders and 1/4-inch jacks lets you override any connection. This makes the 2600 more approachable than a fully modular system while retaining deep sound design flexibility. The companion 3620 duophonic keyboard adds pitch and gate control, with later versions supporting two-note duophonic playing.
Who Is This For?
- Sound designers and film composers — the 2600 created the voice of R2-D2 and countless sci-fi effects
- Experimental musicians who want hands-on semi-modular synthesis without a fully modular commitment
- Vintage synth collectors seeking one of the holy grail instruments of analog synthesis
- Electronic producers who want thick, characterful analog tones with extensive modulation options
Original ARP 2600s are rare and expensive. Korg released the ARP 2600 FS (full-size reissue) and the more compact ARP 2600 M, both faithful recreations with modern reliability. These reissues offer the same sound and patching experience at a more accessible price point.
Videos
Frequently Asked Questions
Specifications
| Type | Semi-Modular Analog Synthesizer |
| Polyphony | Monophonic (duophonic with 3620 keyboard) |
| Oscillators | 3 VCOs with varied waveforms |
| Filter | 24dB/oct Low-Pass (4012 or 4072 depending on era) |
| Envelope Generators | 2 (AR and ADSR) |
| Extras | Ring mod, sample & hold, spring reverb, noise generator |
| External Input | Mic preamp + audio input for processing |
| Original Production | 1971-1981 |
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Specs and prices are for reference only and may be outdated or contain errors. See full disclaimer. Affiliate links may earn commission.




